Description:

A CHINESE PALE CELADON JADE "LINGZHI AND BATS" BRUSH WASHER, QING DYNASTY, 18TH CENTURY
The deeply hollowed vessel is shaped as a large lingzhi head borne on a gnarled branch, surrounded by smaller lingzhi fungi, with five bats carved in high relief across the top and sides. The original fitted zitan stand is finely carved with four bats and lingzhi motifs, echoing the design of the vessel. It's with a fitted box.

A much smaller washer (11.5cm wide) of similar lingzhi form, but without bats, was sold at Christie's London, 8 November 2011, lot 116.

清 十八世紀 青白玉「靈芝福壽」筆洗

器形取大靈芝頭,枝幹盤曲,周圍環繞小靈芝,器身高浮雕五隻蝙蝠,寓意「五福捧壽」。原配紫檀座雕四蝠與靈芝紋,與器物設計相呼應,並附盒。

類似但無蝠紋之小型靈芝形筆洗(寬11.5公分)見:2011年11月8日倫敦佳士得拍賣,第116號拍品。

源流:
W.Y. Thomas Kwok 遺藏,1980年代初購於香港



17cm wide; 8cm high

PROVENANCE:
The Estate of W.Y. Thomas Kwok, acquired in Hong Kong in the early 80s.

Born in Macau, Mr. Kwok studied architecture in Melbourne and built a four-decade career with Wong & Ouyang, shaping Hong Kong's skyline. His collecting began with Japanese occupation stamps (1941-1945), issued during Japan's wartime administration of Hong Kong and other territories. Gradually, his passion shifted to jade, inspired by visits to auction houses.

At the time, Hong Kong's auction scene was emerging-Sotheby's debuted in 1973, Christie's in 1986. By the late 1980s, Kwok was attending smaller sales, joining the city's first generation of serious collectors. His jade holdings embody not only technical excellence and cultural symbolism but also the personal evolution of a connoisseur whose interests bridged philately, architecture, and Chinese art heritage.

郭偉仁先生(Kwok, Thomas Wai Yan)1944年出生於澳門,青年時在墨爾本攻讀建築專業並開啟了建築設計的事
業。1984年,Thomas加入香港著名建筑师事务所WONG & OUYANG (HK) LIMITED 王歐陽(香港)有限公司
担任董事,并于1992至1995年间,担任香港注册建筑师委员会主席。在1980年前后,苏富比和佳士得首次进入香
港。郭偉仁先生对于玉器收藏的热情随之得到了滋养,逐渐形成了自己的品味和收藏体系。郭偉仁先生是香港最
早开始收藏的初代收藏家之一。

  • Condition: Overall in good condition, there possibly be a small old polished area on the back of the mouth rim, which would be consistent with its age and use.
    The zitan stand: there is an old crack to one of the linzhi head, which is consistent with its age and use, otherwise, overall in good condition.


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