Description:

ENGLISH SCHOOL Second half 19th century
'The Golden Bough', after J.M.W. Turner
Oil on canvas
Apparently unsigned

The reverse of the canvas with the stamp of its supplier, J. Hill, 230 Pentonville Road, London

In a gilt frame by Isaac Whitehead, Melbourne, circa 1880
59.5 x 90cm

PROVENANCE:
The Alfred Felton–Charles Campbell partnership, Murray Downs station, Murray Downs, NSW, probably acquired by Alfred Felton (1831–1904)
Charles Campbell (1840–1905), Murray Downs station, upon dissolution of the parnership in 1900
Thence by descent, remaining at Murray Downs station through successive changes of ownership of the property
Sotheby's, Fine Australian and European Paintings, Melbourne, 19 August, 1996, lot 71
Private collection, Melbourne, from whom acquired by Terence Lane in May, 2009



OTHER NOTES:
After the original by J.M.W. Turner, first exhibited in 1834 and now in the Tate Gallery (inv. N00371).

For the likelihood that it was Alfred Felton who brought this work into his partnership with Charles Campbell, reflecting his admiration of Turner's work, see Alison Inglis & John Poynter, 'Desirable Things, the Private Collection of Alfred Felton', Art Journal of the National Gallery of Victoria, 44 [2004], particularly nn 32 and 40, the latter referring to two copies after paintings by Turner at Murray Downs (of which, presumably, the present lot is one).

Joseph Hill, artists' colourman and brush maker, and his successors under related names are recorded as working from 230 Pentonville Road, London, circa 1860–1900.

  • Provenance: The Alfred Felton–Charles Campbell partnership, Murray Downs station, Murray Downs, NSW, probably acquired by Alfred Felton (1831–1904)
    Charles Campbell (1840–1905), Murray Downs station, upon dissolution of the parnership in 1900
    Thence by descent, remaining at Murray Downs station through successive changes of ownership of the property
    Sotheby's, Fine Australian and European Paintings, Melbourne, 19 August, 1996, lot 71
    Private collection, Melbourne, from whom acquired by Terence Lane in May, 2009

  • Dimensions: 59.5 x 90cm
  • Medium: Oil on canvas
  • Notes: After the original by J.M.W. Turner, first exhibited in 1834 and now in the Tate Gallery (inv. N00371).

    For the likelihood that it was Alfred Felton who brought this work into his partnership with Charles Campbell, reflecting his admiration of Turner's work, see Alison Inglis & John Poynter, 'Desirable Things, the Private Collection of Alfred Felton', Art Journal of the National Gallery of Victoria, 44 [2004], particularly nn 32 and 40, the latter referring to two copies after paintings by Turner at Murray Downs (of which, presumably, the present lot is one).

    Joseph Hill, artists' colourman and brush maker, and his successors under related names are recorded as working from 230 Pentonville Road, London, circa 1860–1900.

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