Description:

JOSEPH MCGLENNON (born 1957)
Agnus Dei 2012
giclée digital print on Hahnemuhle rag, ed. 3/8
signed and dated lower right: Joseph McGlennon 2012
titled and editioned lower left
100 x 100cm

PROVENANCE:
Michael Reid, Sydney
Private collection, Melbourne

EXHIBITIONS:
Joseph McGlennon, Strange Voyage, Western Pains Cultural Centre, Dubbo, 11 May - 24 June 2012 (another example)
Joseph McGlennon, Decade, Sophie Gannon Gallery, Melbourne, 10 August - 28 August 2021 (another example)

OTHER NOTES:
"Joseph McGlennon's photographic works are majestic recreations of animals in their natural habitats, often drawing from the deep well that is Australia's early history of settlement and the introduction of the species. McGlennon takes hundreds of different photographs and spends weeks layering and arranging them to arrive at the final image. The landscape is as important as the animal itself – there are no blurred backgrounds or subdued foregrounds in McGlennon's collages. The inclusion of every detail creates a hyperreal effect that pulls the viewer into contact with the
flora and fauna within."
(Michael Reid, Sydney)

Courtesy The Artist and Michael Reid Gallery, Sydney.

  • Provenance: Michael Reid, Sydney
    Private collection, Melbourne
  • Dimensions: 100 x 100cm
  • Exhibited: Joseph McGlennon, Strange Voyage, Western Pains Cultural Centre, Dubbo, 11 May - 24 June 2012 (another example)
    Joseph McGlennon, Decade, Sophie Gannon Gallery, Melbourne, 10 August - 28 August 2021 (another example)
  • Medium: giclée digital print on Hahnemuhle rag, ed. 3/8
  • Notes: "Joseph McGlennon's photographic works are majestic recreations of animals in their natural habitats, often drawing from the deep well that is Australia's early history of settlement and the introduction of the species. McGlennon takes hundreds of different photographs and spends weeks layering and arranging them to arrive at the final image. The landscape is as important as the animal itself – there are no blurred backgrounds or subdued foregrounds in McGlennon's collages. The inclusion of every detail creates a hyperreal effect that pulls the viewer into contact with the
    flora and fauna within."
    (Michael Reid, Sydney)

    Courtesy The Artist and Michael Reid Gallery, Sydney.

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