Description:

NATVAR BHAVSAR (Indian-American, born 1934)
Untitled
pigments and adhesive on paper on board
117 x 89cm

PROVENANCE:
Max Hutchinson Gallery, New York
Gallery A, Sydney
The Cherelle Hutchinson Collection, Melbourne
Thence by descent

OTHER NOTES:
Natvar Bhavsar's artistic oeuvre serves as a captivating exploration of spiritual expression through the medium of colour. Raised amidst the vibrant tapestry of Gujarat, India. Bhavsar's early encounters with colour laid the groundwork for his artistic journey. His relocation to the United States in 1962 to pursue studies in fine art at the University of Pennsylvania marked a pivotal moment in his development as an artist. Here, he was introduced to luminaries such as Louis Kahn, Otto Piene, and Professor Piero Dorazio, whose influence exposed him to the vibrant world of colour field painting and abstract compositions.

Bhavsar's artistic evolution burgeoned amidst the cultural ferment of New York City, where he honed his distinctive technique. For Bhavsar the process of painting is pivotal to his art. Bhavsar's technique of working with dry granules of pigment is very deliberate and precise. There is a controlled rhythm in the application. The artist describes the process, "I lay out multitudes of colours with dry pigment through a mesh screen, onto the canvas on the floor. Then strokes are brushed over it with huge brushes that move the pigment upward or downward. The whole sprayed with oil and a plastic medium which makes the colours stick to the canvas [paper] in up to 200 layers; craters build up. Laying down colour with such freedom is a unique process, like rangoli - which you cannot hang on a wall - but more complex, more sophisticated. Dry pigment has a visual power, paint loses lustre."(1) As demonstrated in Untitled, Bhavsar is able to create fields of variegated fluid and dense colour the migrate across the picture plane.

Bhavsar's works, characterised by ethereal patterns and vibrant hues, serve as portals to realms of profound beauty and contemplation. In pieces such as Untitled, Bhavsar's mastery of colour achieves sublime heights, seamlessly melding American and Indian influences to create a mesmerising chromatic intensity. Untitled invites viewers to immerse themselves in the cosmic dance of creation, where each pigment reverberates with the pulsating rhythm of the universe.

Untitled heroes from the esteemed collection of Cherelle Hutchinson, a prominent part of Gallery A, Melbourne (1959-1970). Alongside Max Hutchinson, they pioneered a groundbreaking initiative establishing Gallery A as one of Australia's early adopters of a dual-city exhibitions by opening a second gallery in Sydney (1964). Despite Gallery A's closure in Melbourne in 1970, Max Hutchinson's subsequent move to establish a new gallery space in New York marked a new chapter. In 1969, Max encountered Natvar Bhasvar's works, leading to the artist's debut premier show in New York the following year. This pivotal moment initiated a fruitful collaboration, resulting in Bhavsar holding nine additional exhibitions at the gallery.

Natvar Bhavsar's artistic legacy serves as a testament to the transformative potential of colour in artistic expression. In his art, we find not only a celebration of colour but also a profound meditation on the nature of existence His works are part of many important collections around the globe, including the Metropolitan Museum of Art, New York, Guggenheim Museum, New York, Museum of Contemporary Art, Sydney, National Gallery of Australia, Canberra, and the Boston Museum of Fine Arts, Boston.

Hannah Ryan
Art Specialist

(1) Patel, V., 'New Explorations in a Universe of Colour', The Wall Street Journal, New York, 27 May 2013, https://www.wsj.com/articles/SB10001424127887324809804578509373747381836 accessed: 16 May 2024

  • Provenance: Max Hutchinson Gallery, New York
    Gallery A, Sydney
    The Cherelle Hutchinson Collection, Melbourne
    Thence by descent
  • Dimensions: 117 x 89cm
  • Medium: pigments and adhesive on paper on board
  • Notes: Natvar Bhavsar's artistic oeuvre serves as a captivating exploration of spiritual expression through the medium of colour. Raised amidst the vibrant tapestry of Gujarat, India. Bhavsar's early encounters with colour laid the groundwork for his artistic journey. His relocation to the United States in 1962 to pursue studies in fine art at the University of Pennsylvania marked a pivotal moment in his development as an artist. Here, he was introduced to luminaries such as Louis Kahn, Otto Piene, and Professor Piero Dorazio, whose influence exposed him to the vibrant world of colour field painting and abstract compositions.

    Bhavsar's artistic evolution burgeoned amidst the cultural ferment of New York City, where he honed his distinctive technique. For Bhavsar the process of painting is pivotal to his art. Bhavsar's technique of working with dry granules of pigment is very deliberate and precise. There is a controlled rhythm in the application. The artist describes the process, "I lay out multitudes of colours with dry pigment through a mesh screen, onto the canvas on the floor. Then strokes are brushed over it with huge brushes that move the pigment upward or downward. The whole sprayed with oil and a plastic medium which makes the colours stick to the canvas [paper] in up to 200 layers; craters build up. Laying down colour with such freedom is a unique process, like rangoli - which you cannot hang on a wall - but more complex, more sophisticated. Dry pigment has a visual power, paint loses lustre."(1) As demonstrated in Untitled, Bhavsar is able to create fields of variegated fluid and dense colour the migrate across the picture plane.

    Bhavsar's works, characterised by ethereal patterns and vibrant hues, serve as portals to realms of profound beauty and contemplation. In pieces such as Untitled, Bhavsar's mastery of colour achieves sublime heights, seamlessly melding American and Indian influences to create a mesmerising chromatic intensity. Untitled invites viewers to immerse themselves in the cosmic dance of creation, where each pigment reverberates with the pulsating rhythm of the universe.

    Untitled heroes from the esteemed collection of Cherelle Hutchinson, a prominent part of Gallery A, Melbourne (1959-1970). Alongside Max Hutchinson, they pioneered a groundbreaking initiative establishing Gallery A as one of Australia's early adopters of a dual-city exhibitions by opening a second gallery in Sydney (1964). Despite Gallery A's closure in Melbourne in 1970, Max Hutchinson's subsequent move to establish a new gallery space in New York marked a new chapter. In 1969, Max encountered Natvar Bhasvar's works, leading to the artist's debut premier show in New York the following year. This pivotal moment initiated a fruitful collaboration, resulting in Bhavsar holding nine additional exhibitions at the gallery.

    Natvar Bhavsar's artistic legacy serves as a testament to the transformative potential of colour in artistic expression. In his art, we find not only a celebration of colour but also a profound meditation on the nature of existence His works are part of many important collections around the globe, including the Metropolitan Museum of Art, New York, Guggenheim Museum, New York, Museum of Contemporary Art, Sydney, National Gallery of Australia, Canberra, and the Boston Museum of Fine Arts, Boston.

    Hannah Ryan
    Art Specialist

    (1) Patel, V., 'New Explorations in a Universe of Colour', The Wall Street Journal, New York, 27 May 2013, https://www.wsj.com/articles/SB10001424127887324809804578509373747381836 accessed: 16 May 2024

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