Description:

RICK AMOR (born 1948)
The City 6am 1989-1990
oil on canvas
signed and dated lower with: RICK AMOR '90
titled and dated verso: The City 6am DEC 89
129.5 x 162.5cm

PROVENANCE:
Niagara Galleries, Melbourne (label verso)
Private collection, Melbourne
Deutscher~Menzies, Melbourne, 2 September 2003, lot 23
Private collection, Sydney
Deutscher and Hackett, Melbourne, 9 May 2007, lot 22
Private collection, Melbourne

EXHIBITIONS:
Niagara Galleries at Australian Contemporary Art Fair 2, Melbourne, 21 - 24 June 1990, cat. no. 10
The City and Beyond, La Trobe University Gallery, Melbourne, July 1990, then touring east coast regional galleries, cat. no. 2 (label verso)

LITERATURE:
Catalano, R., The Challenge of Depicting Life as it Really is, exhibition review, The Age, Melbourne, 1 August 1990

OTHER NOTES:
Rick Amor's The City 6am captures an ambiguous scene. The title sets the time of day-early morning-suggesting a transitional period between night and day, often associated with new beginnings or the remnants of the night's secrets.

The juxtaposition of the two figures-a child and an adult, or a couple-creates a sense of urgency, as if they are fleeing or hurrying towards something. Their movement introduces an element of narrative suspense: are they escaping danger, or simply rushing to catch something important? The ambiguity is enhanced by the presence of the figure on the balcony, watching. This figure's passive observation contrasts with the active motion of the pair, suggesting a sense of surveillance or judgment.

Without knowing the artist's intentions, the interpretation remains open-ended. However, it is this exact suspense and openness of the scene that make this work intrinsically typical of the artist's oeuvre.

As Amor has noted, "I've always thought that behind the façade of buildings all sorts of mysterious things go on. I suppose it's from my childhood and reading Kafka. I like to suggest that behind prosaic realities something else is lurking." (1) (Artist Statement)

The scene is cinematic making his work uniquely dubious and interesting. Amor is a storyteller through painting. The artist has referenced the influence of Film Noir, which is characterized not only by its distinctive visual aesthetics but also by its thematic complexity. (2) The genre explores existential questions, such as the quest for purpose, the ambiguous boundary between right and wrong, and the internal conflicts related to identity and isolation. The unique visual approach of Film Noir is significantly shaped by German Expressionism, an art movement that emerged in the early 20th century. The movement was a reaction against the realism and naturalism that had dominated 19th-century art, expressing emotional experience and inner turmoil. It was also shaped by the social and political upheavals of pre-World War I and the disillusionment that followed the war. We can sense the complexities of Film Noir and ultimately Expressionism in Amor's work. The parallels are evident, and the influence is fitting.

Rick Amor's works are meaningful because they possess a timeless quality. This appeal stems from the depth inherent in his paintings-his ability to weave complex narratives, layered emotions, and subtle tension into his visual storytelling. Amor's unique approach transcends pure representation, inviting viewers to explore the unspoken stories embedded within urban environments.

Rick Amor is unafraid to address the more complex concerns and demands of humanity. He acknowledges the complexities of life, his works are relatable-like a good movie, they make you feel something and transport you away from the banality of daily life.

Wiebke Brix, Head of Art

(1) Catalano G., The Solitary Watcher: Rick Amor and his art, Miegunyah Press, Melbourne, 2001, p. 149
(2) Lindsay R., Rick Amor: Standing in the shadows, McClelland Gallery and Sculpture Park, Victoria, 2005, p. 11

© Rick Amor/Copyright Agency, 2025

  • Provenance: Niagara Galleries, Melbourne (label verso)
    Private collection, Melbourne
    Deutscher~Menzies, Melbourne, 2 September 2003, lot 23
    Private collection, Sydney
    Deutscher and Hackett, Melbourne, 9 May 2007, lot 22
    Private collection, Melbourne
  • Dimensions: 129.5 x 162.5cm
  • Exhibited: Niagara Galleries at Australian Contemporary Art Fair 2, Melbourne, 21 - 24 June 1990, cat. no. 10
    The City and Beyond, La Trobe University Gallery, Melbourne, July 1990, then touring east coast regional galleries, cat. no. 2 (label verso)
  • Literature: Catalano, R., The Challenge of Depicting Life as it Really is, exhibition review, The Age, Melbourne, 1 August 1990
  • Medium: oil on canvas
  • Notes: Rick Amor's The City 6am captures an ambiguous scene. The title sets the time of day-early morning-suggesting a transitional period between night and day, often associated with new beginnings or the remnants of the night's secrets.

    The juxtaposition of the two figures-a child and an adult, or a couple-creates a sense of urgency, as if they are fleeing or hurrying towards something. Their movement introduces an element of narrative suspense: are they escaping danger, or simply rushing to catch something important? The ambiguity is enhanced by the presence of the figure on the balcony, watching. This figure's passive observation contrasts with the active motion of the pair, suggesting a sense of surveillance or judgment.

    Without knowing the artist's intentions, the interpretation remains open-ended. However, it is this exact suspense and openness of the scene that make this work intrinsically typical of the artist's oeuvre.

    As Amor has noted, "I've always thought that behind the façade of buildings all sorts of mysterious things go on. I suppose it's from my childhood and reading Kafka. I like to suggest that behind prosaic realities something else is lurking." (1) (Artist Statement)

    The scene is cinematic making his work uniquely dubious and interesting. Amor is a storyteller through painting. The artist has referenced the influence of Film Noir, which is characterized not only by its distinctive visual aesthetics but also by its thematic complexity. (2) The genre explores existential questions, such as the quest for purpose, the ambiguous boundary between right and wrong, and the internal conflicts related to identity and isolation. The unique visual approach of Film Noir is significantly shaped by German Expressionism, an art movement that emerged in the early 20th century. The movement was a reaction against the realism and naturalism that had dominated 19th-century art, expressing emotional experience and inner turmoil. It was also shaped by the social and political upheavals of pre-World War I and the disillusionment that followed the war. We can sense the complexities of Film Noir and ultimately Expressionism in Amor's work. The parallels are evident, and the influence is fitting.

    Rick Amor's works are meaningful because they possess a timeless quality. This appeal stems from the depth inherent in his paintings-his ability to weave complex narratives, layered emotions, and subtle tension into his visual storytelling. Amor's unique approach transcends pure representation, inviting viewers to explore the unspoken stories embedded within urban environments.

    Rick Amor is unafraid to address the more complex concerns and demands of humanity. He acknowledges the complexities of life, his works are relatable-like a good movie, they make you feel something and transport you away from the banality of daily life.

    Wiebke Brix, Head of Art

    (1) Catalano G., The Solitary Watcher: Rick Amor and his art, Miegunyah Press, Melbourne, 2001, p. 149
    (2) Lindsay R., Rick Amor: Standing in the shadows, McClelland Gallery and Sculpture Park, Victoria, 2005, p. 11

    © Rick Amor/Copyright Agency, 2025

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