Description:

SHAUN GLADWELL (born 1972)
Double Field/Viewfinder (Tarin Kowt) 2009-2010
dual channel synchronised high definition video, ed. 2/4
16:9 stereo sound, colour, 18 minutes and 40 seconds
accompanied by a signed, titled, dated and editioned certificate of authenticity

PROVENANCE:
Anna Schwartz Gallery, Sydney 2011
The Mainland Collection, Melbourne

EXHIBITIONS:
Shaun Gladwell: Stereo Sequences, Australian Centre for the Moving Image, Melbourne, 1 June - 14 August 2011 (another example)
Shaun Gladwell: Perpetual 360° Sessions, SCHUNCK*, Heerlen, 3 September - 27 November 2011 (another example)
Collection+: Shaun Gladwell, University of New South Wales Galleries, Sydney, 6 March - 25 April 2015 (another example)

OTHER NOTES:
Another example of this video is in the collection of the Art Gallery of New South Wales, Sydney.

"Shaun Gladwell is one of Australia's foremost contemporary artists, whose work investigates the physical body engaged in sub-cultural performances within various urban environments. 'Double Field/Viewfinder (Tarin Kowt)' 2009-2010 was produced during the artist's tenure as an Australian official war artist in Afghanistan (the town of Tarin Kowt being home to the NATO-ISAF base in southern Afghanistan). Gladwell was the first to use the medium of video/video installation in the history of the scheme, the moving image lending itself to explorations in the role of technology, particularly media coverage, communication and surveillance, in contemporary warfare.

In October 2009 Gladwell was drafted into the Australian Defence Force for three weeks where he participated in military operations and gathered footage for future works. A synchronised dual-channel High Definition video, televised on two screens facing one another, presents two soldiers stood in the Afghan desert. These two figures, rendered in real time, are caught in a standoff as they simultaneously circle, imitate and 'shoot' one another with their hand-held cameras.

These scenes are far removed from the skateboarding and break dancing which the artist is renowned for, however the work retains those situational elements of body, movement and landscape which address the nature of occupation and conflict." (Art Gallery of New South Wales, Sydney)

© Shaun Gladwell. Image courtesy of the Artist & PALAS

  • Provenance: Anna Schwartz Gallery, Sydney 2011
    The Mainland Collection, Melbourne
  • Exhibited: Shaun Gladwell: Stereo Sequences, Australian Centre for the Moving Image, Melbourne, 1 June - 14 August 2011 (another example)
    Shaun Gladwell: Perpetual 360° Sessions, SCHUNCK*, Heerlen, 3 September - 27 November 2011 (another example)
    Collection+: Shaun Gladwell, University of New South Wales Galleries, Sydney, 6 March - 25 April 2015 (another example)
  • Medium: dual channel synchronised high definition video, ed. 2/4
    16:9 stereo sound, colour, 18 minutes and 40 seconds
  • Notes: Another example of this video is in the collection of the Art Gallery of New South Wales, Sydney.

    "Shaun Gladwell is one of Australia's foremost contemporary artists, whose work investigates the physical body engaged in sub-cultural performances within various urban environments. 'Double Field/Viewfinder (Tarin Kowt)' 2009-2010 was produced during the artist's tenure as an Australian official war artist in Afghanistan (the town of Tarin Kowt being home to the NATO-ISAF base in southern Afghanistan). Gladwell was the first to use the medium of video/video installation in the history of the scheme, the moving image lending itself to explorations in the role of technology, particularly media coverage, communication and surveillance, in contemporary warfare.

    In October 2009 Gladwell was drafted into the Australian Defence Force for three weeks where he participated in military operations and gathered footage for future works. A synchronised dual-channel High Definition video, televised on two screens facing one another, presents two soldiers stood in the Afghan desert. These two figures, rendered in real time, are caught in a standoff as they simultaneously circle, imitate and 'shoot' one another with their hand-held cameras.

    These scenes are far removed from the skateboarding and break dancing which the artist is renowned for, however the work retains those situational elements of body, movement and landscape which address the nature of occupation and conflict." (Art Gallery of New South Wales, Sydney)

    © Shaun Gladwell. Image courtesy of the Artist & PALAS

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