Description:

THEA PROCTOR (1879-1966)
Bonnets, Shawls, Gay Parasols c.1928
woodcut
signed lower right: Thea Proctor
titled and numbered lower left
artist's monogram in image lower left
28 x 24.5cm (image); 37.5 x 27cm (sheet); 48 x 40cm (frame)

PROVENANCE:
Leighton Gallery, Melbourne (label affixed verso)
Private collection, Melbourne
Thence by descent

EXHIBITIONS:
Contemporary Group, Blaxland Galleries, Sydney, 24 October - 14 November 1933 (another example)
Macquarie Galleries, Sydney, November 1938, cat. no. 33 (another example)

LITERATURE:
Butler, R., and Minchin, J., Thea Proctor: The Prints, Resolution Press, Sydney, 1980, pp. 6 - 13, 78, 79, cat. no. 28 (as "Bonnets, Shawls and Elegant Parasols") (illus., another example)
Gooding, J., Thea Proctor 1879-1966, Art Gallery of Western Australia, Perth, 1982, pp. 2- 11, 19, cat. no. 13 (illus., another example)
Topliss, H., Modernism and Feminism Australian Women Artists 1900-1940, Craftsman House, Sydney, 1996, p. 160 - 164, cat. no. 99 (illus., another example)
Elliot, B. and Helland, J. (eds), Women Artists and the Decorative Arts 1880-1935: The Gender of Ornament, Aldershot, Burlington, 2002, pp. 73 - 95, 82 (illus., another example)

OTHER NOTES:
Other examples of this print are held in the collections of the Art Gallery of New South Wales, Sydney; National Gallery of Victoria, Melbourne; Art Gallery of Western Australia, Perth; Art Gallery of South Australia, Adelaide; and Newcastle Art Gallery, New South Wales.

'Bonnets, Shawls, Gay Parasols' c.1928 reflect Proctor's interest in costume and leisure. Drawing on an imagined Victorian world, the black ink composition relies on line and balance rather than colour. Her figures inhabit moments of elegance, realised through bold outlines and a carefully considered use of line.

  • Provenance: Leighton Gallery, Melbourne (label affixed verso)
    Private collection, Melbourne
    Thence by descent
  • Dimensions: 28 x 24.5cm (image); 37.5 x 27cm (sheet); 48 x 40cm (frame)
  • Exhibited: Contemporary Group, Blaxland Galleries, Sydney, 24 October - 14 November 1933 (another example)
    Macquarie Galleries, Sydney, November 1938, cat. no. 33 (another example)
  • Literature: Butler, R., and Minchin, J., Thea Proctor: The Prints, Resolution Press, Sydney, 1980, pp. 6 - 13, 78, 79, cat. no. 28 (as "Bonnets, Shawls and Elegant Parasols") (illus., another example)
    Gooding, J., Thea Proctor 1879-1966, Art Gallery of Western Australia, Perth, 1982, pp. 2- 11, 19, cat. no. 13 (illus., another example)
    Topliss, H., Modernism and Feminism Australian Women Artists 1900-1940, Craftsman House, Sydney, 1996, p. 160 - 164, cat. no. 99 (illus., another example)
    Elliot, B. and Helland, J. (eds), Women Artists and the Decorative Arts 1880-1935: The Gender of Ornament, Aldershot, Burlington, 2002, pp. 73 - 95, 82 (illus., another example)
  • Medium: woodcut
  • Notes: Other examples of this print are held in the collections of the Art Gallery of New South Wales, Sydney; National Gallery of Victoria, Melbourne; Art Gallery of Western Australia, Perth; Art Gallery of South Australia, Adelaide; and Newcastle Art Gallery, New South Wales.

    'Bonnets, Shawls, Gay Parasols' c.1928 reflect Proctor's interest in costume and leisure. Drawing on an imagined Victorian world, the black ink composition relies on line and balance rather than colour. Her figures inhabit moments of elegance, realised through bold outlines and a carefully considered use of line.

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